Our cable camera system is designed and built from the ground up using our exclusive mechatronic and robotic technology. We design and build our own gyrostabilized camera head, with leading-edge motion and positional sensors, then combine it with our own smart robotic winches and advanced computational algorithms to deliver unequaled control and precision for movement in three-dimensional space. The head has endless 360° pan and active roll with auto horizon.

The Robycam system is modular and can be installed in either 3D (4 point) or 2D (2 point) modes to accommodate a wide variety of venues and installation locations. Video and data are fed via fiber-optic cable, ensuring that there is no signal loss due to radio interference in any environment - so 100% reliability for live event production.

We integrate our Compass AR Tracking technology into the system which allows for easy incorporation of virtual objects and augmented reality broadcast graphics into the video feed for live production - no other hardware or software required! That’s the Movicom difference.

The Robycam Arena is a smaller version of our leading-edge Robycam Stadium system. It's designed for smaller venues like basketball arenas, hockey rinks, and larger studios where space is a premium and one might not normally consider using a suspended cable-camera system. What makes the Arena system unique is the size of the winches and head. The winches are compact yet can provide enough force to achieve a tight drop angle of just 4.5 degrees. Thanks to its smaller size the system is lighter to transport and faster to setup too.

The like its bigger brother the Robycam Arena is a modular system that can be installed in 3D (4 point) or 2D (2 point) modes to accommodate a wide variety of venues and installation locations. Video and data are fed via fiber-optic cable, ensuring that there is no signal loss due to radio interference in any environment. 

The gyrostabilized head reduces size but does not sacrifice features, allowing our Compass AR Technology to be fully integrated into the system. Our Compass AR Tracking technology easily integrates virtual objects and augmented reality broadcast graphics into the video feed for live production because the system is fully digital. That’s the Movicom difference.

Robycam Studio brings the production value and camera angles of a cable-suspended camera system to the small studio world. Designed specifically for small area operations with a tight footprint and quick rigging time the system is perfect for any studio infrastructure. The system allows full broadcast studio cameras to fly in 3D space with endless 360° pan and active roll with auto-horizon. Our Compass AR Tracking technology easily integrates virtual objects and augmented reality broadcast graphics into the video feed for live production because the system is fully digital. That’s the Movicom difference.

Compass AR Tracking technology integrates motion and positional sensors in our gyrostabilized heads with lens and camera data to provide a real-time data feed to any industry standard graphics server.

This allows virtual objects and augmented reality broadcast graphics to be added into the video feed for live production and on-the-fly compositing for narrative and pre-visualization applications.

Bringing AR to your broadcast production has never been easier!

The Earcam is broadcast quality, fully paintable, wireless 1080pm camera solution that can be worn by officials, players, fans and commentators - anywhere on or near the field of play.

Designed to be 'forgotten' by the wearer, the system features professional parts and a robust RF system to allow full mobility and movement to anyone wearing it. It's been tried by players during warm-ups, by game officials during the game and by fans on the sidelines, and it's the perfect way to get a peak at the game from the point of view of those on the field.

Our polecam production service is a 'turn-key' solution: we provide the polecam, the camera, the fiber connectivity, the operator. All you have to do is make the call and you get a fully functional ultra portable jib anywhere you choose.

Different cameras are ready for different broadcast needs; there are super slow motion cameras like Antelope Picos, there are HDR cameras like the Dreamchip Atom SSM500, even digital cinema cameras can be used.

D1 is a robotic pan/tilt solution for the professional outside broadcasting, as well as for the stationary use in studios, theaters, conference halls and stadiums. The head is specially designed around modern 4K camera line providing 4x3G SDI, 12G SDI and 2xFiber connectivity for the camera signals. The most typical payload for the head would be a box size camera, but it has enough power to carry studio cameras and has extra connectivity for a prompter at the front. The head has a rigid and stylish carbon-fiber body and provides smooth and precise movements. An integrated power supply simplifies camera connections.

D1 may be controlled via IP or serial interface, so it can be easily integrated into studio infrastructure or outside broadcast venue and used in remote production. The head is designed upon request from Panasonic (Broadcast and Professional Department), which is the major partner and non-exclusive distributor of the product around the globe. The system is a perfect match for their Panasonic AK-UB300 UHD/HDR camera and their control panels. In this configuration the D1 and the camera form a single logical unit for the control panel. Thus, a single logical unit for the control panel which is able to provide a full control of the head and image parameters at the same time.

A single control panel can control multiple heads, therefore, this combination allows to build a complete HD/UHD multi-camera system controlled by a single operator that can minimize production costs. Panasonic remote control panels may be a part of the system to provide iris and extended camera controls to the video engineers. D1 has an integrated AR tracking function. The head is built upon high-resolution encoders on each axis and supports Canon and Fujinon lens drives. It is able to output real-time live tracking data via Ethernet directly to a graphics engine using a classic FreeD protocol.